生命如歌--四柱八字,命理,八字命理,六爻占卜,命理百科-寅午文化

音乐有许多种。我可以说：“音乐是欢欣鼓舞的” ，或“音乐是可悲可叹的”。你会懂得我并非自相矛盾。你不会说——至少我希望你不会说：“为什么会有人写出像柴可夫斯基的悲怆交响曲那样的作品呢？为什么一个作曲家会选择阴郁的曲风？”那音乐本身有它自己的气势和力量，而的确美得超越了所有善恶的概念。

There are many kinds of music. I could say: “Music is triumphant,” or “Music is tragic.” You would understand that I am not contradicting myself. You would not say, or at least I hope you would not say: “Why would anyone write a composition like Tchaikovsky’s Pathetique? Why would a composer choose a somber mood?” The music itself would have its own sweep and power, and would indeed be beautiful beyond all concepts of good and evil.

以某种方式，甚至一部优秀的悲惨乐曲也超越了悲剧本身。作曲者在最深的悲剧情绪里，甚或挫败感中也是意气昂扬的。在这种情形下，那悲剧本身被选作一个情感的框架，而心灵游戏其间。那框架并不是被强加给心灵的，却真的是因心灵自身的特质而被选中的——即使可能是意气消沉的特质。

In some manner, even a tragic composition of merit transcends tragedy itself. The composer was exultant in the midst of the deepest emotions of tragedy, or even of defeat. In such cases the tragedy itself is chosen as an emotional framework upon which the psyche plays. The framework is not thrust upon it, but indeed chosen precisely because of its own characteristics — even those of despondency, perhaps.

心灵从那个框架尽情品味那些特质，探寻由那特定视角所体验到的活力与生命之火，而那消沉可能比一种未加探寻、只浅尝辄止的喜悦更有活力。以同样的方式，某些人可以，并且真的选择了涉及巨大不幸的人生经历。然而，相对应地，那些悲剧性人生被用作一个焦点，实际上把生命的伟大活力与冲力带入经验。

Tasting those qualities to the utmost, from that framework the psyche probes the fires of vitality and being as experienced from that specific viewpoint, and the despondency can be more alive than an unprobed, barely experienced joy. In the same manner, certain individuals can and do choose life experiences that involve great tragedies. Yet those tragic lives are used as a focus point that actually brings into experience, through comparison, the great vitality and thrust of being.

这并不意味着一个悲剧人生比一个快乐、简单的人生更具活力，而只意味着每个人都涉足于一种生活的艺术当中。有不同的主题、乐器及旋律——但存在，就像伟大的艺术一样，无法被简单的定义所限制。

This does not mean that a tragic life is more vital than a happy, simple one. It just means that each individual is involved in an art of living. There are different themes, instruments, melodies — but existence, like great art, cannot be confined to simple definitions.

举例来说，从外表看来，一个年轻人寻死，似乎是因为他对生命本身有这样或那样的不满。无疑的，人们通常理所当然地认为，自杀的人害怕生命。然而，自杀者及可能会自杀的人，常常对生命有着如此强烈的热望，以至于他们不断地置生命于危境，这样就可以体验到生命提升后的样子。这同样也适用于许多从事危险行业的人。人们一般认为这些人有一种求死的意愿。相反的，他们中的许多人有一种强化的求生意愿，可以这么说。当然，在别人看来，那似乎是毁灭性的。不过，对那些人而言，那增加的兴奋值得去冒险。事实上，冒险给了他们一个强化的生命版本。

From the outside, for instance, it might seem as if a young person dies because in one way or another he or she is dissatisfied with life itself. Certainly it is usually taken for granted that suicides are afraid of life. However, suicides and would-be suicides often have such a great literal lust for life that they constantly put it into jeopardy, so that they can experience what it is in heightened form. The same applies to many who follow dangerous professions. It is fashionable to suppose that these people have a death wish. Instead, many of them have an intensified life wish, so to speak. Certainly it seems destructive to others. To those people, however, the additional excitement is worth the risk. The risk, in fact, gives them an intensified version of life.

显然，并非所有自杀者或可能自杀的人，以及所有冒险者都是如此。但那些因素是存在的。从你们的角度看，一个在17岁死掉的人所体验到的人生，可能比某个活到82岁的人要深厚得多。这种人对那些选择并非表面上那样浑然不觉。

This is obviously not the case with all suicides or would-be suicides, or all risk-takers. But those elements are there. A person who dies at 17 may have experienced much greater dimensions of living, in your terms, than someone who lives to be 82. Such people are not as unaware of those choices as it seems.

这并不意味着你不能在任何一个时刻改变你的经验。一个人可以演奏的特定变奏是无穷无尽的。可是，除非你首先了悟到你形成了你人生的框架，否则你不可能开始有意识地改变它。那旋律是你自己的。它并非不可避免，也并非是你可以演奏的唯一曲调。

This does not mean that you cannot alter your experience at any given point. The particular variations that one person might play are endless. You cannot consciously begin to alter the framework of your life, however, unless you realize first of all that you form it. The melody is your own. It is not inevitable, nor is it the only tune that you can play.

——摘译自《未知的实相》卷二

编译：laujenny 美编：周周

《赛斯说●第112期》

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