性别的融合

对充满活力的心灵而言，转世只是其多维实相的一个侧面。因此，这些转世的经历不只会在梦境，也会在其他活动层面里反映出来。

“目前的自己”这块布料是与这些转世的“过去”相互交织的，从这些前世中，“目前的自己”无意识地由其自身的人格库里汲取个性、活力和洞察力。前世记忆常常浮现却未被承认，因为它们以幻想的方式出现，或被投射到艺术创作中。

比如说，许多写历史故事的作家，是根据他们在那些历史时代的亲身体验来写作的。这种例子代表了目前的自己和无意识之间的默契合作，这种合作以这样一种方式把深层记忆带到表面，使得现在的生活更加丰富。通常，作者对这种有意识与无意识之间相互合作的真相几乎都有所觉知。而在他“若有所悟”的感觉背后，他完全知道自己作品中的资料究竟来自何方。

同样，在梦中这些转世资料也经常被铸入戏剧性的模式中。在这一切之下，女灵与男灵携手合作，再强调一次，不是彼此对立而是相互融合。当然，它们合起来代表了心灵与肉体上的创造源泉。

女灵代表了必要的初始“内在本质”——深思的、同情的、直觉的、转向内求的特质，这种对内在的聚焦正是创造力的来源。

用“被动”这个词形容女灵的特性是很差劲的，因为它暗示了“缺乏行动”，而事实却并非如此。的确，女灵允许自己遵照别人的意愿行动，但背后的动机是与其他极强的力量协调一致的愿望和需要。因此，女灵想被推动的愿望与相对想安定的愿望同样强烈。男灵特质则提供了进攻性推力，它把人格向外拉回到世间的活动，而得意洋洋地高举着从女灵特质中获取的创造成果。

显然，“全我”是这些特性的总和，甚至更多。当转世结束时，肉体的、有性别的创造形式就不再有必要了。换言之，你们不再需要肉体上的繁育。简单地说：“全我”所包含的男性与女性特征被精微地调和在一起，以至于“真正的本体”能从中产生——因为，当你们强调一组性别特征必须超过另一组时，就像在你们目前的人间生活中一样，真正的本体便无法显现。

在你们这个层次为什么存在男女之分是有许多理由的。这些理由与人类选择以何种方式进化以及发挥自身能力有关。

Reincarnational experiences are a part of the framework of the self, a facet of the multidimensional reality of the living psyche. These experiences will, therefore, be reflected not only in the dream state, but in other layers of activity.

The fabric of the present self is interwoven with these reincarnational "pasts," and from them the present self draws unconsciously from its own bank of personality characteristics, activities, and insights. Often past life memories come to the surface but are not recognized as such, since they appear in fantasy form, or are projected into art creations.

Many writers of historical pieces, for example, are writing out of direct experience with those times. Such instances represent an excellent working rapport between the present self and the unconscious, which brings these memories to the surface in such a way that current life is enriched. More often than not, true awareness of the situation often becomes almost conscious, and just beneath awareness the individual knows the source of his authentic material. 

In dreams this reincarnational material is likewise cast into a dramatic mold very frequently. Beneath all this, the anima and the animus work together, again not opposites but blending characteristics. Together, of course, they represent the fount of creativity, psychically as well as physically. 

The anima represents the necessary initial "inwardness," the brooding, caring, intuitive, inside-turning characteristics, the inward focusing from which creativity comes. 

The word "passive" is a poor one to describe the characteristics of the anima, in that it suggests a lack of motion, and this is hardly the case. It is true that the anima allows itself to be acted upon, but the motive behind this is the desire and the necessity to tune into other forces that are supremely powerful. The desire to be swept along, therefore, is as strong with the anima as the opposite desire for rest. The characteristics of the animus provide the aggressive thrust that returns the personality back outward into physical activities, triumphantly holding the products of creativity that the anima characteristics have secured. 

The whole self is obviously the sum of these characteristics, and more. After the final incarnation, the physical, sexual type of creativity is simply no longer needed. You do not need to reproduce physically, in other words. In simple terms the whole self contains male and female characteristics, finely tuned together, blended so that true identity can then arise - for it cannot, when one group of characteristics must be emphasized over the other group, as it must be during your present physical existence. 

There are many reasons why the separation has been adopted within your dimension. The reasons have to do with the particular way in which mankind has chosen to evolve and use his abilities; and I will have more to say regarding this point, but it does not belong in this chapter. 

——摘自《灵魂永生》（The Individual and the Nature of Mass Events）

校译：        美编：老王

《赛斯说●第九十一期》

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